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Book Is Complete

For those who didn’t know, for the last year I’ve been working on a book of interviews with activist farmers all over the country (see the list below for a sense of the diverse and amazing places and people we visited). And today we turned in the manuscript to our publisher, Chronicle books. So its not quite finished, but the whole first phase is complete. One year ago when my co-author Amy Franceschini were brainstorming about how to do this, why to do this and what we wanted to focus on it was very hard to imagine the 60,000 word manuscript of twenty interviews and hundreds of photos (by our amazing collaborator and photographer Anne Hamersky) that we turned in today.

So thanks to everyone for support and for dealing with my absence from many other important collaborations and for listening to me talk through this whole process. I think in a year or so when it comes out, its really going to be a very special and unique document. Let’s hope others think that too so they can learn about these 20 amazing farmers and groups.

Participation Park in Baltimore by Participation Park

Participation Park in Baltimore by Participation Park

The juicy details:

Farm Together Now (Working Title)

By Amy Franceschini and Daniel Tucker, Photography by Anne Hamersky
To be published by Chronicle Books in late 2010.

We want to change the way the food system works! Agricultlore meets with people
across the country who are challenging the conventions of industrialized farming and exclusive green economies.

This part-travelogue, part-oral history, part-creative exploration of food politics will introduce readers to twenty groups working in agriculture and sustainable food production in the U.S. Throughout 2009 the authors visited twenty farms from coast to coast, talking to farmers about their engagement in sustainable food production, public policy and community organizing efforts. Interviews and photo essays with each farm/garden/project will illustrate the inspiring histories, unique characters and everyday struggles of life on these farms. The colorfully illustrated book will be introduced with a historical account of farming, an introduction by a guest author, and will be accompanied by a supplementary website. It is through sharing diverse voices from the contemporary farm that this book will inspire and cultivate a new wave of agrarians. Half of the author’s profits will be put into a fund to encourage like-minded documentary projects.

http://agricultlore.org/

The Farms:

City Slickers (Oakland, CA); Freewheeling Farms (Santa Cruz, CA); South Central Farmers Feeding Families (LA, CA); Tryon Farm (Portland, OR); Native Seeds (Patagonia, AZ); Acequia Institute (San Luis, CO);  Georgia Citizens Coalition on Hunger (Atlanta, GA); Mountain Garden (Burnsville, NC); Jim Knopik (Fullerton, NE); Sandhill Farm (Northeast, MO); AquaRanch (Flanagan, IL); Angelic Organics Learning Center (Caledonia, Rockford and Chicago, IL); Joel Greeno (Kendall, WI); Hidden Haven/On The Fly Farms, Foxglove and God’s Gang (Union Pier, MI and Chicago, IL); Participation Park (Baltimore, MD); Anarchy Apiaries (Hudson Valley, NY); Wild Hive Farms (Clinton Corners, NY); Nuestras Raices (Holyoke, MA); and Diggers’ Mirth Collective Farm (Burlington, VT).

Some of you may have read the article in last month’s Chicago Reader about David Meyer’s Resistance Coffee and how we are all starting this Chicago Coffee Confederation project together. The basic gist is that we all roast fair-trade coffee on our gas grills and deliver it to people using the model of Community Supported Agriculture (buy shares in a farm and get farm-fresh food delivered to your door weekly).

Well, I am getting my side of the roasting operation going right now and by next month should be roasting. Just thought I would post an update so folks knew what I was up to. Here is a letter that went out to people in my neighborhood in Chicago this morning:

Dear People,

You are getting this email because I know or have met you and you live/work relatively close to Logan Square/Humboldt Park/Wicker Park.

The Pitch:
Starting in October, I will be delivering fresh roasted coffee by bike every other week to anyone on this list who wants it.

I am currently building a coffee roaster and have a relationship with another roaster who is going to be selling me fair-trade green coffee beans in bulk. The coffee is picked by a women’s cooperative called La Fem in Nicaragua.

The coffee is roasted over a flame in a gas grill and tastes excellent – rich, full-bodied and with a slight hint of chocolate. It will be roasted in small-batches and will be handled lovingly with care (unlike the bulk roasters that cook it with hot air and blow off all the nutritious and flavorfull oils). The coffee will be called “Small Batch Coffee” and will be part of a line of small foods I will begin processing/producing over the next year under the name “Miscellaneous Treats” (next up is peanut butter!).

The cost for 1 pound is $12. The cost for 3 pounds is $30.

Please let me know A) if you want to keep getting emails every other week about coffee deliveries and B) if you have a sense of how much coffee your office/household drinks in a month, so I can aprox. budget how much I will need to buy per month (you won’t be held to this amount, its just a way to get a ball-park figure). If you know anyone else in this part of town who loves good coffee and wants to support a hard working artist/activist dude like me (more on me at http://miscprojects.com/) in their neighborhood then tell them to hit me up and I’ll put them on my list.

Thanks for your support!
-daniel tucker (tucker.daniel@gmail.com)

ps. if you want to ensure you won’t get another message about this then please send an email saying “no thanks”. Also, please let me know if I got it wrong and you no longer live or work in this section of town  – cause I cannot deliver outside of this radius for practical reasons.

Here is another one of my irregular columns, this one for Chicago Journal about downtown art. This month’s “Art Department” is about two retrospectives currently on view – one of political cartoons from Chicago Tribune by John T. McCutcheon at the turn of the 20th century and the other of zines, ideas and interventions by Anne Elizabeth Moore at the turn of the 21st century. Check it:

http://chicagojournal.com/News/07-22-2009/Print_culture_from_1889_to_the_present

Art Dept: Print culture from 1889 to the present

by Daniel Tucker

Print culture in Chicago is rich and diverse. In 1860, the city boasted 11 daily newspapers, several in the European languages spoken by immigrants of the time. And while that culture is changing due to the broader economy and the evolution of Web publishing, two exhibitions currently on display demonstrate how Chicagoans in the past and today circulated their ideas, critiques and opinions on paper.

The caption on this McCutcheon cartoon reads, “The French Emissary studies our industrial methods.”

The caption on this McCutcheon cartoon reads, “The French Emissary studies our industrial methods.”

Cartooning the issues of the day

A key figure in local and national printed culture is John T. McCutcheon, the cartoonist for the Chicago Record and Chicago Tribune newspapers between 1889 and 1946. The Chicago Cultural Center is presenting an exhibition with documents and reproductions of a wide range of McCutcheon’s work, curated by Tim Samuelson, the city’s cultural historian.

The cartoons depict the most pressing challenges of McCutcheon’s time, demonstrating his capacity to address complex topics in humorous and efficient ways. In a single-frame cartoon, he could capture a political subject like war while illustrating a nuanced perspective on deeply patriotic soldiers losing their lives in a game beyond their control. His subject matter documented history as it unfolded — the explosive growth of Chicago as a metropolis near the turn of the 20th century, the Great Depression, World War I.

McCutcheon’s cartoons about life in the fictional town of Bird Center, Illinois were famous beyond the borders of Chicagoland. The world of Bird Center centered on daily life in a small Midwestern town, with many recurring characters. While the content was believable, the drawings were loose and funny; he did not attempt for social realism that would have relied on facts or precision in these works. This made Bird Center familiar, potentially an Anytown, USA — a place readers could project their imaginations onto.

One of my favorite parts of this exhibition is not a drawing, but a photo of a theater troupe based in the Fine Arts building. The troupe adapted Bird Center into a play, which featured McCutcheon as a lead character. The document of their set, the costumes and the evident community built around making culture together will be inspiring to anyone interested in the evolution of cultural forms. First a comic, then a piece of community theater, Bird Center was clearly a predecessor to television dramas we are familiar with today.


New issues, many approaches

A contemporary commentator on the issues of the day is Anne Elizabeth Moore. Moore, well known for her stint as editor of the defunct magazine Punk Planet and for her writings in mainstream and alternative publications, is also a prolific conceptual artist and community organizer.

In recent years, primarily in Chicago but with connections to places ranging from New York City to Phnom Penh, Cambodia, Moore has positioned herself as a public commentator on the encroachment of consumerism and advertising into every aspect of daily life. A retrospective of the last decade of Moore’s art on display at Columbia College’s Center for Book & Paper Arts offers a long view of the overarching themes and goals of Moore’s work. Often fun, sarcastic and nearly always participatory, this exhibition addresses subjects ranging from the 2016 Olympic bid to popular dolls from American Girl Place.

Foundation For Freedom

Foundation For Freedom

Moore, as the exhibition shows, works with many materials and takes diverse aesthetic approaches. There are ‘zines made in workshops with children and adults as well as lots of documents from sprawling projects and events series that cannot easily be contained in the gallery. But Moore successfully pulls it off through a combination of video documentation and written timelines. Such guides are needed: some of Moore’s projects involved a dozen events, press releases, numerous collaborations and extensive research.

Readers will have an opportunity to see more of Moore’s work, other print publications and an exhibition of books created by South Korean art students if they attend the fifth annual Printers Ball on July 31 at Columbia College.

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